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avid Archive

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Happy New Year!

Hello to everyone and Happy New Year! If you follow my Sumsound facebook page you’ll know I’ve been upgrading my studio and having a fine time doing that. Some news...

Hello to everyone and Happy New Year! If you follow my Sumsound facebook page you’ll know I’ve been upgrading my studio and having a fine time doing that. Some news thats new and approved for the start of 2012…

Apparently Waves are sitting very hard on the fence about supporting the new ProTools AAX DSP format. Online conjecture is rife and many fairly reliable sources are saying that Waves are holding out to see what the uptake is of the new Avid HDX core systems (that replace the ageing TDM technology) before committing to any development. As far as mixing goes, I really dont care if I have a bit of delay in my system, but for folks tracking/recording big sessions with waves plugins this creates a bit of a pickle. Email them if you have strong feelings on the matter!

I wrote a comprehensive review of PT10 for AudioTechnology magazine recently- you can read it online via their site, page 64!

I will be teaching the Avid ProTools short courses at AFTRS this year, we are offering PT101 over 6 x Tuesday nights in Feb and PT110 over 3 x Saturdays in late March early April. Any Sydney readers, please spread the word to any family/friends who are looking to speed up their PT chops.

If you haven’t already grabbed Valhalla FreqEcho you’re slow off the mark – an awesome free plugin for 2012!

On the paid plugin side of things, Abbey Road are half price at the moment – IMHO their Brilliance pack is..well…yknow

Anyone out there using Paul Neyrincks VControl Pro? Stay tuned for some awesome developments on that front this year. Can’t say more at this stage but some very nifty features coming to it soon.

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These be strange times…

Well! I just got back from my honeymoon in North America and there have been some odd developments in the last few weeks! Obviously the death of the founder of...

Well! I just got back from my honeymoon in North America and there have been some odd developments in the last few weeks!

Obviously the death of the founder of the “Jobs-ian movement” was a big one – many apple store genius’ sitting on the sidewalk crying in SF made for an odd air to the city while my wife and I were there…(j/k)

Then there was the outcry over the upgrade pricing for PT10HD…Avid then did a backflip and are including retrospective upgrades for anyone who buys a USD$599 support contract, effectively knocking 40% off the price of the upgrade and including a support contract at no cost – but before they got there, SHEESH, the outcry! Having been using PT10 for a while now, its a great upgrade, fastest PT version yet and first post-centric release IMHO since PT7.2, well worth the price of admission, but for some of these so-called professionals, bitching and moaning about a grand, harden up. Its a tax deductible business expense and it seems like Avid are moving to a yearly upgrade pattern, although PT9 was only the end of last year. A grand per year to stay “in the club” and get bug fixes and decent features that we, the users, ask for seems like a decent deal to me.

On the back of all that, while I was in CA, Avid unfortunately let go of a bunch of staff, people I know and have worked with and deeply respect. It really felt like strange move and lets hope its not a knee-jerk reaction to their stock prices. Best of luck to those who got laid off, I truly hope you all land on your feet in these hard times.

On the night of my return to Aus, I managed to wrangle a last minute ticket in the Australian Screen Sound Guild award night and caught up with the local audio community – fantastic night, and picked up an award for my premixing on “The Missing Key” as well! It means quite a lot to me having only really just started on this side of the fence as a mixer rather than a PT specialist – knowing the gear and doing the craft are very different things as you all no doubt know, so this was a lovely surprise and boost for me :) Thanks ASSG!

Lastly, a massive thank you to the mixers who made me welcome at the various dub stages I visited while in North America. Lovely to meet Ceri Thomas (who has a great post centric blog), hang with Danny C and Erik Foreman at Skywalker (yes I got to see Gary Rizzo, Gary Rydstrom and Michael Semanik while there, quite a bit of mixer worship going on that day), then down in LA visiting Gary Gegan at AudioHead (an amazing facility full of history), the inimitable Jonathan Wales of Sonic Magic and the lovely Joe Milner of Puget Sound. Thanks so much to all of you for your time and hopefully we get to meet in person again one day.

PS – any readers in Sydney or Melbourne, the local Avid crew have asked me to help out this coming Tuesday in Melbourne and Friday in Sydney to run the practical demo sessions of PT10 at their local launch events, come along, hope to see you there!

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New Avid PT Preview

New, more polished, technology preview of future ProTools features and more of an overview of their current technology – more tidbits:  apparently up to 12 systems linkable via satellite tech...

New, more polished, technology preview of future ProTools features and more of an overview of their current technology – more tidbits:  apparently up to 12 systems linkable via satellite tech coming! Being able to open multiple audiosuite windows at once – and they look much sexier! New GUI for Sci-Fi at the very least. Also “Group Clips” seem to replace Region groups – and they carry clip gain between sessions. BIG ONE – they were using ReVibe on a HD Native system – must be the long rumoured RTAS build coming!!

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Editing Bootcamp: Advanced nudging functions

OK – final video for this series on mouseless editing. This video goes into nudging regions, region start and end times and generally puts what we’ve looked at over the...

OK – final video for this series on mouseless editing. This video goes into nudging regions, region start and end times and generally puts what we’ve looked at over the last 3 videos together into a bit of a workflow.

 Hope you’ve enjoyed these videos and find them useful – the info is provided freely, all I ask is that you pass it on, let others know about these tips and tricks!

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More ProTools next gen info from IBC

Another video from IBC, this one slightly less iphone… “The first thing is for ProTools to play nicely with any network attached storage”…

Another video from IBC, this one slightly less iphone…

“The first thing is for ProTools to play nicely with any network attached storage”…

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Happy New Year!

So, 2011 is upon us, and as Julius Chan would say “Where’s my rocketpack and hoverboard?!!” What does the year ahead hold for us? No one really knows but there...

So, 2011 is upon us, and as Julius Chan would say “Where’s my rocketpack and hoverboard?!!”

What does the year ahead hold for us? No one really knows but there are a few indications.

Well, finance is still interesting, with AUD vs USD over parity. We rely on the US production in Australia quite heavily and without OS work the high end freelancers are really suffering. Hopefully work picks up soon.

On the tech front, SSD drives are getting more affordable – Im hoping to replace my laptop system drive with a 256Gb sometime this year. Currently sitting around USD$500 for a decent one. They certainly speed up loading PT and general OS tasks, more robust etc.

PT9 is out and about, I guess this year we’ll all be dealing with more apogee and MAudio IO setups, and getting to see the Digi aggregate driver a lot more. I wonder how sales of the latest Digi IO are going? I still havent heard the OMNI or played with HD native. Not a quick uptake so far, downunder. Most likely due to struggling economy and downturn in work.

As far as our local industry goes, these guys are looking forwards to some good projects… which just seems a bit weird given so many production companies are struggling – how can you make good art when you are stressed about bills? From adversity…?

We’re seeing more LKFS and Dialnorm specs, so DMM2 and the TC meters will no doubt do well, but I also found this more affordable set of RTAS meters which look promising.

Feature requests? Wishes for the Avid Santa?

I wish Multi Mono plugin presets would store all info, not just the left channel, when unlinked.

I wish I had multi-mode on my DCommand ES

I wish more dub stages had the dolby 360 bundle.

I wish I had handles on audiosuite processing

I wish I had clip based gain, like nuendo.

I wish I had a batch processor, like in wavelab. Rather than using Audiofile Engineering’s Sample Manager (which is cool BTW).

I wish more video editors put “like with like” on their timelines

I wish more video editors knew what ProRes and DNxHD were and why I dont want H264 media all the time.

I wish more of the industry used eSATA connections, rather than FW800.

I wish my mac pro could play bluray disks…grrrrr

Hopefully some of these wishes will come true this year!